Cary Gitter’s throwback intimate comedy, about an Orthodox Jew and their Italian-American neighbor, is form of sweet and type of clunky.
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Angie is Italian-American and solitary; Seth is a divorced Orthodox Jew. She lives in apartment 4C; he could be down the hallway in 4J. She’s a curator at a Chelsea gallery; he operates a knish shop on the Lower East Side. She discovers motivation during the Metropolitan Museum; he translates an obscure writer that is yiddish enjoyable.
You’ve guessed it: we have been in a intimate comedy, “The Sabbath Girl, ” and its particular protagonists are fated to be mated, as Cole Porter place it back 1957 (several things never change). But although it is refreshing to start to see the young journalist Cary Gitter unabashedly plunge as a genre as unusual onstage since it is popular onscreen, their play, at 59E59 Theaters, can’t escape the cliches and clunky setups that burden rom-com just as much as https://rose-brides.com they fuel it.